• Available to buy
    • Adalina Coromines 200 x 183 cm Cicatrius amb Ondulacions, 2020
      Adalina Coromines
      200 x 183 cm
      Cicatrius amb Ondulacions, 2020
      Sold
    • Adalina Coromines 183 x 155 cm Negro Sobre Beig
      Adalina Coromines
      183 x 155 cm
      Negro Sobre Beig
    • Adalina Coromines 200 x 153 cm Penombra, 2020
      Adalina Coromines
      200 x 153 cm
      Penombra, 2020
    • Adalina Coromines 155 x 183 cm Muro , 2022
      Adalina Coromines
      155 x 183 cm
      Muro , 2022
    • Adalina Coromines 181 x 122 cm Blay sobre Blau, 2018
      Adalina Coromines
      181 x 122 cm
      Blay sobre Blau, 2018
    • Adalina Coromines 185 x 155 cm Vermelles Sobre Beig, 2018
      Adalina Coromines
      185 x 155 cm
      Vermelles Sobre Beig, 2018
    • Adalina Coromines 200 x 183 cm Ruptura, 2022
      Adalina Coromines
      200 x 183 cm
      Ruptura, 2022
    • Adalina Coromines 183 x 110 cm XARXA, 2016
      Adalina Coromines
      183 x 110 cm
      XARXA, 2016
    • Adalina Coromines 155 x 183 cm Cicatriz Horizontal, 2021
      Adalina Coromines
      155 x 183 cm
      Cicatriz Horizontal, 2021
    • Adalina Coromines 200 x 183 cm Cicatriz Curva, 2021
      Adalina Coromines
      200 x 183 cm
      Cicatriz Curva, 2021
  • Studio House

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  • Biography
    ABOUT ADALINA COROMINES
     
    Born in Barcelona on August 13, 1963. In 1989, she cofounds the renowned Joan Lao Studio of Barcelona, dedicated to architecture, interior design, industrial design and brand creation. Her works have been published in prestigious national and international media. Self-taught, she begins painting with watercolours. Then, inspired by nature, she changes to different types of soil and natural pigments because of their great expressiveness. The work of the light, the earth, the water, the texture and the natural pigments are present in all the works.
     
    The artwork is highly intuitive in that there is a dialogue with the elements, rejecting what is expected in order to open new plastic pathways. In her compositions, geometric as well as organic forms thrive. Initially, here pieces were of small format, in some cases blending painting and sculpture, always on boards or pressed wood. The new workshop, in the middle of nature, allows her to work with bigger formats. Boards are placed horizontally on metal tables, to them earth is added or removed, the material sometimes is scraped. Knives, palettes, dispensers and tools that she herself has manufactured replace the traditional material used because they offer her unprecedented plastic effects.
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